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AFP +20 7<@ ;M0 >00 AM0 7;CN6;BB@19@=I06Rp/C;/ON3B;3NB@7=9@7II><6>HIBA?BMW@F@N@FLWM:9MFFQ9RQEW@U?B@UKR\>Rp\JRpkC;kONoB;oNB@s=9@sIIz:6zJI~@?~RW@?N@RW49GF2RFW@R?RAR@CN@7>@W,BW7R )N 8W*I9`++N+;W:%FP:5>`:8B`:P [?? [AFP g+60 g7@@ g;Q0 g>40 gAQ0 HvA`Mv<[Ov$[&Wv5[w<[ z@[ {$` |7W 0dMd9d dVo/CN/7;J#36;83BB619P6=I*>06a7>RCokCNk7;J#o6;8oBBr19Pr=I*z:6a7zJI3~RWP~@?́?NQW\GF7i492RFWJSR@HB `:DB`:HWPX7R[E>P [HIP [J?@ [MFP g7<0 gCF@ gGW0 gJ:0 gMW0 HvA`Mv<[Ov$[&Wv5[w<[ z@[ {$` |7W ,dTd.@H=JRKRMR@ON@C>@HB `:DB`:HWPX7R[E>P [HIP [J?@ [MFP g7<0 gCF@ gGW0 gJ:0 gMW0 HvA`Mv<[Ov$[&Wv5[w<[ z@[ {$` |7W ²CHUNMISC ' This demo Project demonstrates SE40 possibilities in generating and transforming MIDI data. Pressing [I/P] (Initial / Processed) button in toolbar you can see data generated by track MFX Chains according to the song Chord Progression. So, Track #2 is fully generated. Solo piano Track #1 is the data recorded in real-time using MIDI keyboard. Tracks #3 and #4 are simply copied from Track #1. But MFX Chain using provides them with the totally different musical characteristics! How was it done? Here is what I did: 1) Recorded first Piano track (Tune 1 and Bridge 1-1) and quantized them, using Quantizer tool. 2) Created Chord progression using Harmonizer tool. Note that I used different Harmonizer presets for different parts of the song: Tune 1 was harmonized using "Gypsy" preset, but Bridge 1-1 was harmonized using "Special" preset. 3) Copied recorded part with Chords to create full song structure. 4) Set necessary MFX Chains when I wanted to transform or generate data. 5) Applied Interpolator tool for Tracks # 1 (Piano) and #3 (Trombone) to the measures #25-28 to achieve "detuning effect" distorting notes numbers. 6) Arranged track Volume envelopes and Pans. 7) Drew Tempo curve by mouse "on the fly" during listening to song parts on a loop. You understand that saving a song as SE40 project you can return to it any time and change all settings achieving new sounding or adjusting it to the new set of your synths. Have success with SE40! Leonid Rikh CHUNFXUD4DSFX  TSFX TSFX TSFX TSFX TSFX TSFX TSFX TSFX TSFX TSFX TSFX wNo MFX at all. Real-time solo part played on and recorded from MIDI keyboard. It was quantized using Quantizer tool. TSFX 1) Chord Generator produces chord notes for all song according to Chord progression. 2) Modeler was used for generating Orchestra String accompaniment 3) Shaper increases Velocity and change note numbers to achieve "detuning effect" in measures #25-28 4) Second Shaper provides Velocity curve in period of 2 measures for this entire track. 5) Time-Pitch Adjuster lowers score on one octave in measures #17-20 6) And second Time-Pitch Adjuster lowers score on one octave in 13 measures from measure #30. Chords Generator,TECGFX0000 P<ddCGFX Modeler 1.0,3o@_Styles Synth Pado, Pulsation, Solo X?r;RR  `WFxG $Hj?8R (IxDFStrings 02A 110P4'4G Classic Rhythm Fill from Chords  xH.(\Lz= ,bFlH Hȯ @4%!?8Q;??d^=1xjx@Shaper,%+SHAP  Standard?^Chr??^Ch?PP?! x;@R  حs? GحC@C *5Bai@hx(*A+@H|Mxష#;ȍ<Hk,@@;Hx? PR?ûB[Bh2pv? HRC R ` =  ~@8VGsDx& XL`4 ŏ@ g h% ?HtH" CC ? AXxI X@(;xUHȘH?p~? h;=yF` ?8D#?XηG u1XF?U?WW???\? 0bFaD c@z`zCxD @ حCМxjCD |;Q?@h|hH?BؽB|@q ?X8xxz@Hh?  ]P@"2+&JP B`B &@HH@ 7? A (4Xv U?yP WCHEF@H2SvCx=# 9FH %?lm j9 km@? ̑?B GxM74Z?2@%{? 6R8s?x@ k8 (? hBHBȦ{h?T@:FBP? n?`wB???صH;ug? yBHF` V@h]H8gBh @DAi9hHXaHx@\?"8;DA?;ЋCHr(SH C؀=xD 8B@w?m Th@ðPC,2l?HLѹM @>؟0C8D ?2XCVHșh@ @x~?h (DX?(; 4Z? ;H; ? p{B(9h)%?@8&8F *`yBXr?H(ЯR X?XhPXh@FJ@@F?(I @ xc8  PC#EX=(pnC{?ECBChrhk?j9ݯ??2N?ͼh@h@ PD @H@PD;П@@ QA  @@@ U A;П@@ WA H@@(@ ZA;П(@(@ ZA @@h@ xr ;Пh@h@ Q $ @H@@ R (;П@@ 0R , (?@? NC0?P+5&bF\?J~H \?!(A qy-2?H;`zCD; A@mH-?@8@8X@Y4Z>@td? X(BY@>?@*8R @N?;skd? XR  ߃> uA#k@@߃>$@T b=(; (N?@xNCC?BShaper,zSHAP   Standard?{d????H M` zXxHYX~@}hS x/ȩ=@;q [O?h6FH 7x Ȋ*( co>t. J X2; \0l:S ?h ; H *@|7eX: 8HfhwN*@tHt싊?* @(utl> "HZBxHM;?Ȉx( @Hd*@xȈ "R?q@һgۋ?((xNBح9"F?88??H L\? v8t#˷ @  ͻ ̑@6(; _E?H;؁ -xb `. qy PH;. p{.  h0X0(SH"hX *P 9?.d į?2 ?hB %1@λA\-2l@4y7F  ? xUx (5xG06HhJ| Ú?X/G82 @ɹ???Ux{>xPo #I#3Xu 3eȎ50Gg(=(@,L4Z?xN$(mh P>(x%(?hxPx.X?2m 6hؼC  o@ x;Xn  XoX zx J@kH/@n"? 8OXrn8X xhx;H+J@xx,8Ȟ4N?X+m ? ?? h %MH>84q H5Ggf>h(X N84Ÿ X2xQ5n rGÈ>L4yL4Z?x4hpÈ>~h;F C>GXgv? mh X8H'('# ΰ6hHC>hGXx P>O8 ۡ?XN .$?H;iBphq8O H  AC@ i (!JH  xdXz v;Time-Pitch Adjuster 1.0,<;FXTS ? Time-Pitch Adjuster 1.0,MFXTS ? TSFX <1) AutoPhraser inserts Phrase Markers into real-time solo part recorded from MIDI keyboard (it was copied from Track #1). 2) Time-Pitch adjuster limits note range between numbers 62 and 73 from measure #30. 3) Modeler inserts necessary performance nuances - Breathing (Expression), Pitch Wheel, Modulation, etc. AutoPhraser 1.0PHRS0003  ((<2PHRSTime-Pitch Adjuster 1.0,le2FXTS ?>I  Modeler 1.0,?{Brass Section, Trumpet, TromboneV W@?W?0W@>0W?/W?HW?`W@?`W }hW@pW {W@@W xWAW vW tW@@W@W pW mX@?X kX iX? X g X?8X? XH8XBrass 01A 100P Chords Jazz Energy Breathy and Simple Solo?X?X@>Y>Y?AY? Y@>0Y ?8Y@@Y aPY@@XYAhY`ApY cxY@BY CY nY`BY BY`AY AY`@Z jZLx]Z0Fdddvd<xdk@TSFX `1) Time-Pitch adjuster limits note range between numbers 65 and 76 in all this track. 2) AutoPhraser inserts Phrase Markers into real-time solo part recorded from MIDI keyboard (it was copied from Track #1) beginning from measure #30. 3) Modeler provides "tremolo manner" of playing (Vibraphone PMStyle was used!) convenient for this String track. Time-Pitch Adjuster 1.0,zGFXTS ?AL AutoPhraser 1.0,hJPHRS0003 FFG2PHRS Modeler 1.0,b-Chromatic PercussionM>@M8DX8J@0JMB M2Mh2AJ(AJEJpMGM`DND`JIJPAKAPMKM@2S2@HQH@JLJ0Vibraphone 03A 090SG Solo 32nd Octave TremoloTremolo (Notes to Pitch)&5X5JRJMLM8R8JMxJAMXAMMXM2T2>@@063 ??@@068 DD@@070 FF@@071 GG@@072 HH@@073 II@@074 JJ@@075 KK@@076 LL@@077 MM@@078 NN@@079 OO@@080 PP@@081 QQ@@082 RR@@083 SS@@084 TT@@085 UU@@086 VV@@087 WW@@088 XX@@089 YY@@090 ZZ@@096 ``@@097 aa@@098 bb@@099 cc@@100 dd@@101 ee@@102 ff@@103 gg@@104 hh@@105 ii@@106 jj@@107 kk@@108 ll@@109 mm@@110 nn@@111 oo@@112 pp@@113 qq@@114 rr@@115 ss@@116 tt@@117 uu@@118 vv@@119 ww@@120 xx@@121 yy@@122 zz@@123 {{@@124 ||@@125 }}@@126 ~~@@127 @@Balance@@BreathddCeleste (detune) depth^^ Chorus depth]] Expression  ddExternal Effects depth[[hhFoot controller@@Hold 2EE@@ ModulationPan  @@ Pedal (soft)CC@@Pedal (sustain)@@@@Pedal (sustenuto)BB@@ Phaser depth__ PortamentoAA@@Portamento time@@Tremulo depth\\Volume :-dd:-Zd{Z{ddo!od!dwwanawnmJwWmJzWrz<r~<~dTREN  000 003 @@006 @@009  @@012  @@013  @@014 @@015 @@016 @@017 @@018 @@019 @@020 @@021 @@022 @@023 @@024 @@025 @@026 @@027 @@028 @@029 @@030 @@031 @@032  @@033 !!@@034 ""@@035 ##@@036 $$@@037 %%@@038 &&@@039 ''@@040 ((@@041 ))@@042 **@@043 ++@@044 ,,@@045 --@@046 ..@@047 //@@048 00@@049 11@@050 22@@051 33@@052 44@@053 55@@054 66@@055 77@@056 88@@057 99@@058 ::@@059 ;;@@060 <<@@061 ==@@062 >>@@063 ??@@068 DD@@070 FF@@071 GG@@072 HH@@073 II@@074 JJ@@075 KK@@076 LL@@077 MM@@078 NN@@079 OO@@080 PP@@081 QQ@@082 RR@@083 SS@@084 TT@@085 UU@@086 VV@@087 WW@@088 XX@@089 YY@@090 ZZ@@096 ``@@097 aa@@098 bb@@099 cc@@100 dd@@101 ee@@102 ff@@103 gg@@104 hh@@105 ii@@106 jj@@107 kk@@108 ll@@109 mm@@110 nn@@111 oo@@112 pp@@113 qq@@114 rr@@115 ss@@116 tt@@117 uu@@118 vv@@119 ww@@120 xx@@121 yy@@122 zz@@123 {{@@124 ||@@125 }}@@126 ~~@@127 @@Balance@@BreathddCeleste (detune) depth^^ Chorus depth]] Expression  ddExternal Effects depth[[@@Foot controller@@Hold 2EE@@ ModulationPan  @@ Pedal (soft)CC@@Pedal (sustain)@@@@Pedal (sustenuto)BB@@ Phaser depth__ PortamentoAA@@Portamento time@@Tremulo depth\\Volume m+;XG;Gd!dd!^d9^J9jJ jw wd dd  d dTREN  000 003 @@006 @@009  @@012  @@013  @@014 @@015 @@016 @@017 @@018 @@019 @@020 @@021 @@022 @@023 @@024 @@025 @@026 @@027 @@028 @@029 @@030 @@031 @@032  @@033 !!@@034 ""@@035 ##@@036 $$@@037 %%@@038 &&@@039 ''@@040 ((@@041 ))@@042 **@@043 ++@@044 ,,@@045 --@@046 ..@@047 //@@048 00@@049 11@@050 22@@051 33@@052 44@@053 55@@054 66@@055 77@@056 88@@057 99@@058 ::@@059 ;;@@060 <<@@061 ==@@062 >>@@063 ??@@068 DD@@070 FF@@071 GG@@072 HH@@073 II@@074 JJ@@075 KK@@076 LL@@077 MM@@078 NN@@079 OO@@080 PP@@081 QQ@@082 RR@@083 SS@@084 TT@@085 UU@@086 VV@@087 WW@@088 XX@@089 YY@@090 ZZ@@096 ``@@097 aa@@098 bb@@099 cc@@100 dd@@101 ee@@102 ff@@103 gg@@104 hh@@105 ii@@106 jj@@107 kk@@108 ll@@109 mm@@110 nn@@111 oo@@112 pp@@113 qq@@114 rr@@115 ss@@116 tt@@117 uu@@118 vv@@119 ww@@120 xx@@121 yy@@122 zz@@123 {{@@124 ||@@125 }}@@126 ~~@@127 @@Balance@@BreathddCeleste (detune) depth^^ Chorus depth]] Expression  ddExternal Effects depth[[IIFoot controller@@Hold 2EE@@ ModulationPan  @@ Pedal (soft)CC@@Pedal (sustain)@@@@Pedal (sustenuto)BB@@ Phaser depth__ PortamentoAA@@Portamento time@@Tremulo depth\\Volumev(ddv(ád~á8~d8tddtJwdPJw܏P܏dTREN  000 003 @@006 @@009  @@012  @@013  @@014 @@015 @@016 @@017 @@018 @@019 @@020 @@021 @@022 @@023 @@024 @@025 @@026 @@027 @@028 @@029 @@030 @@031 @@032  @@033 !!@@034 ""@@035 ##@@036 $$@@037 %%@@038 &&@@039 ''@@040 ((@@041 ))@@042 **@@043 ++@@044 ,,@@045 --@@046 ..@@047 //@@048 00@@049 11@@050 22@@051 33@@052 44@@053 55@@054 66@@055 77@@056 88@@057 99@@058 ::@@059 ;;@@060 <<@@061 ==@@062 >>@@063 ??@@068 DD@@070 FF@@071 GG@@072 HH@@073 II@@074 JJ@@075 KK@@076 LL@@077 MM@@078 NN@@079 OO@@080 PP@@081 QQ@@082 RR@@083 SS@@084 TT@@085 UU@@086 VV@@087 WW@@088 XX@@089 YY@@090 ZZ@@096 ``@@097 aa@@098 bb@@099 cc@@100 dd@@101 ee@@102 ff@@103 gg@@104 hh@@105 ii@@106 jj@@107 kk@@108 ll@@109 mm@@110 nn@@111 oo@@112 pp@@113 qq@@114 rr@@115 ss@@116 tt@@117 uu@@118 vv@@119 ww@@120 xx@@121 yy@@122 zz@@123 {{@@124 ||@@125 }}@@126 ~~@@127 @@Balance@@BreathddCeleste (detune) depth^^ Chorus depth]] Expression  ddExternal Effects depth[[JJFoot controller@@Hold 2EE@@ ModulationPan  @@ Pedal (soft)CC@@Pedal (sustain)@@@@Pedal (sustenuto)BB@@ Phaser depth__ PortamentoAA@@Portamento time@@Tremulo depth\\Volumewoow!yoC!yCoCHUNPRVSCHUNMFVSCHUNSPL 'JCHUNWMRK1CHUNWNDP,,: `CHUNPFVSCHUNSPL CHUNSPL0JyCHUNWMRK1CHUNWNDP,, `